This concept of Transatlanticism came attached to an advert for visitBritian.com, so not really sure it's even worthy of discussion, or is even a real thing.
But the Manifesto (a word that is used in Britain with benign associations, but in America is always preceded by "Communist" in the hearer's mind

) on the website I did find interesting, as I agree with and applaud the sentiments expressed:
"By invention our cultural landscape is a transatlantic blend of ideas and customs. And it has been the friction between these ideas that has yielded our most substantial innovations.
By the hands of our forefathers' fathers, it's our tradition of cultural improvisation that has helped foster our unique sense of identity.
Interpreting British culture, we pay homage to our Transatlantic origins and add new chapters to our cultural lineage.
As Transatlanticists we draw upon our Muse, Great Britain, and interpret her radiance through Art, Music, Film and whatever else we're inspired to create. We embrace her ineffable brilliance and celebrate her lasting impression upon our culture.
We are the Transatlanticists."
Now I don't really know, the site doesn't seem to explain in much detail, who the folks are who wrote the Manifesto, I'm thinking it includes Canadians as well as Americans, but I'm not totally sure.
Perhaps the ad exec at visitBritain wrote it for all I know.
But, whoever wrote it, I like what it acknowledges--that Over Here is a cultural extension of Over There. Since the end of WWII, there seems to have been an effort, among nameless suspects

, to downplay the connection and origination of the North American culture directly to Britain.
It's true that many other nationalities have contributed to North America, and maybe it was time to explore that contribution for a while. But the structure of the life we live Over Here is British and we should never get too far away to remember that.
Personal example:
We stayed a night at a wonderfully restored castle in Scotland. The place had been just beautifully and thoughtfully redone and we had a fab time.
The Sitting Room, decorated with Persian carpets, wing chairs, dark wood panelling, crystal cut glass on the massive sideboard, put us in mind of a Virginia plantation house. Looked identical.
When speaking to the Lady of the castle the next morning, we commented on the similarity.
She smiled and told us that she'd bought all the furnishings at an auction in Williamsburg, VA! Had them transported back to Scotland.
That led to a discussion of the very thing the Transatlanticist Manifesto above acknowledges: the back-and-forth of cultural ideas that go even to furniture styles and decorating. How things like that have hopped and re-hopped the Pond ever since Englishmen first put foot to dirt on the banks of the James River.
It's sort of the same thing that MikeH's blog, Pond Parleys, discusses. We're all noticing it, a coming together of British, Canadian and American cultures.
As I wrote on Pond Parleys, I think we find each other kind of cute.
